The return of Automatic Duck: FCPX to After Effects and Media Copy
If you’ve been working in this business for awhile you’ll most likely have fond memories of Automatic Duck. The...
Stefan Weiss, fearless editor, hands-on educator
When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television,...
Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
Media Composer 101 – ADVANCED – Archiving Your Projects Part 1
In this lesson, Kevin P McAuliffe shows you how to archive your project using only the included tools in...
Review – The Light Wrap Fantastic From Digital Anarchy
If you do a lot of keying with keylight in After Effects, Digital Anarchy is going to help make...
Expanding your Editorial Toolkit – Boris Red 5.5
Are you an Editor who finds After Effects to be a bit too daunting? There are other tools out...
Media Composer 101 – ADVANCED – What is Transcoding? Part 3: 2K/4K/UHD
In this lesson, Kevin P McAuliffe concludes his in-depth look at Transcoding in Avid Media Composer, by looking at...
Magic Bullet Suite review – Great for many but not for me
The interface is beautiful and minimizes visual clutter. Stuff slides onto screen when you need it and slides off...
Siân Fever, short-form aficionado
Siân Fever knew that she wanted to work in video production when she was just a teenager. She watched...
Feature Request: A Notepad built into non-linear editing applications
While editing very large job the other day I had an idea for a new NLE feature that would...
