2.5K Cinema Camera Gets Lossless Raw in Firmware 2.1 Update
Blackmagic finally adds the long awaited lossless compressed raw recording to their original, the 2.5K Cinema Camera. In addition,...
ARRI Announces New ALEXA SXT Cameras
ARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
Blackmagic URSA PL Review
The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...
Shooting in Raw
We’ve all heard it, but how many actual know the benefits of shooting in a raw format? Most modern...
Blackmagic Studio Camera Review
Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...
Review: The 4K Blackmagic Production Camera
Blackmagic’s New 4K Production Camera is here and I have been shooting with it as soon as I could...
Blackmagic Pocket Cinema Camera Review
Seven days… I had the camera for exactly seven days. Just seven days to take the little camera through...
Random Tips from a Professional Camera Operator
Teaching the craft of camera operating is extremely difficult to do well, so I’m going to do it half-assed...
Low-Budget PSA’s, Shot on RED, Prove that Budget is Not a Barrier to Excellence
“Dad has a barn and mom can sew–let’s put on a show!” Production budgets aren’t what they used to...
