Blackmagic URSA Minis Updated With Firmware 3.3
Improving the color found in the 4.6K URSA Mini and 4K URSA Mini leads the charge with the latest...
Blackmagic’s DaVinci Resolve 12.5 Released
Time over time Blackmagic has marched forward with improving DaVinci Resolve. Make no mistake, they want to turn their...
Light, again, shines at Cine Gear Expo
With over 20 top lighting-makers on the scene, it is fair to say that lights are on at Cine...
4.6K URSA Mini Used on Aaron Carter Music Video “Fool’s Gold”
The Blackmagic URSA Mini 4.6K was used to shoot the music video for Aaron Carter’s new single “Fool’s Gold.”...
Blackmagic Talks To PVC About The New URSA Studio Viewfinder: NAB 2016
At NAB 2016, Blackmagic announced the new URSA Studio Viewfinder, a 7” studio viewfinder with variable tension mounting points,...
NAB 2016 – Talking to Blackmagic Design about Resolve 12.5
It wouldn’t be NAB without Blackmagic updating Resolve. 2016 brings Resolve 12.5 with enough features to warrant a .5...
Leaving Las Vegas: LED Lights and HDR at NAB
I work a booth at NAB so I didn’t see a lot this year, but I saw enough. Here...
Why the Resolve & Fusion integration is a pretty big deal
Blackmagic’s announcement at NAB of integration between Resolve and Fusion may have gone unnoticed by many, but it actually...
Anamorphics and Blackmagic’s URSA Mini: NAB 2016
Found in the new UI is the option to turn the 16:9 4.6K Super 35mm sized sensor into a...
These are a few of my favorite things… in Resolve 12.5
Just a quick tour of some of the new stuff I like after playing with 12.5 a bit, including some...
