ART OF THE CUT with the editors of “The Call of the Wild”
Today we’re discussing The Call of the Wild which, like the recent Planet of the Apes movies, is a...
Let’s Edit with Media Composer – What’s New in Sapphire 2020?
What can I say…I’m a big Sapphire fan. I need a shirt with “S_Glow” on the front of it,...
Avid S1: the power of larger consoles in a solution for home studios
If you need the speed, rich visual feedback, and software integration of Avid’s high-end consoles but are limited by...
PVC’s Black Friday 2019 best deals: three days until Black Friday
Here are some more Black Friday deals that you might want to check. Don’t forget to look at the...
Review: iZotope Dialogue Match
With Dialogue Match, iZotope has once again created go to technology for post audio professionals. Their RX line is...
ART OF THE CUT with Oscar nominee Joe Klotz, ACE, on editing “Motherless Brooklyn”
Joe Klotz, ACE has had a feature film and TV career that has spanned more than two decades. He...
The Art of the Cut Podcast Eps. 16 (w/ “Joker” Editor Jeff Groth)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Introducing The ProVideo Coalition Podcast!
Welcome to the ProVideo Coalition Podcast! With so much news coming out every day it’s nearly impossible to keep up...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
Let’s Edit with Media Composer – Settings, Settings, Settings
In this lesson, I’m going to talk about User Settings. Most people create their user settings, and then only...
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