Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
Why the Resolve & Fusion integration is a pretty big deal
Blackmagic’s announcement at NAB of integration between Resolve and Fusion may have gone unnoticed by many, but it actually...
NAB 2016 – fayteq and their Matchmoving Plug-in for After Effects fayIN
One new piece of software that I’ve been seeing make its way into my email in-box is a new...
A Closer Look at What’s Coming in the Next Update to Adobe Premiere Pro
Here we are just a few days ahead of NAB 2016 and Adobe has announced what will be coming...
Keying and compositing in NukeX
You’ve seen it before: composited people with hair helmets. If you’ve done any keying yourself, you probably notice it...
AE Project Diary: 1) Lego, Ninjago
The “After Effects Project Diaries” provide inside details and behind-the-scenes accounts of real projects I have worked on. In...
HitFilm 3 Express Special Edition – free for a limited time
Another piece of fun news this week is the latest FREE version of the effects/editor Hitfilm Pro, HitFilm 3...
After Effects CC 2015.1 Update
After Effects CC 2015.1 – also known as v13.6 – is being rolled out today to Creative Cloud subscribers....
After Effects Hidden Gems Weekly: Layer Styles
We use drop shadows all the time in motion graphic design, along with the occasional bevel or glow. The...
After Effects Hidden Gems Weekly: Wiggle Behaviors
One of the secrets to creating eye-catching motion graphics is to make sure everything keeps moving, instead of settling...
