How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
The Adobe Premiere Pro Fall 2018 update – better color and better audio are highlights
Are you wondering if Adobe is going to update the Creative Cloud video tools for IBC 2018? Well, wonder...
Sequence Duplicate is the Adobe Premiere Pro feature that should have been built in from the very beginning
How often have you been working in Adobe Premiere Pro and you duplicated a sequence into a new version...
A Premiere Pro Quicktip I can’t believe I never thought of
Here at the Editblog we love Quicktips and have run whole months of them over the years and even...
State of the NLE at Faster, Together 2018
The Right Editing Software We’ve all at least seen it happen. Someone mentions an editing software. Someone else derides...
NAB 2018 – An interview with the post-production team behind The Florida Project
When I saw a list of Premiere Pro related people that Adobe was brining to NAB 2018 my first...
NAB 2018 – An Interview with the MINDHUNTER post-production team
I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART...
Day 18 #28daysofQuickTips 2018 – Free up some screen real estate in Adobe Premiere Pro
Adobe Premiere Pro has a lot of panels and windows that provides a lot of flexibility. With all of...
Day 2 #28daysofquicktips 2018 – Mark IN for Match Frame in Premiere
For a few of our tips this month we’re going to look at some newly added features in recent...
