Adobe Premiere
ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE
Julian Clarke, ACE was nominated for a BAFTA, an ACE Eddie and an Oscar for his editing of District 9. He was nominated for an ACE Eddie for Deadpool and…
ART OF THE CUT with Billy Fox, ACE on editing “Dolemite is my Name”
(Thanks to editor Simon Smith, I realized that we just passed our 200th Art of the Cut interview with Zombieland: Doubletap! Man, that’s a lot of work! Hopefully…
Watchtower – Automatically load media into your Premiere Pro or After Effects bins
I’ve always thought that one of the most useful features a non-linear editing tool could add would be watch folder functionality that would monitor folders on your…
ART OF THE CUT with Kevin Tent, ACE on editing “Peanut Butter Falcon”
Kevin Tent, ACE, has been nominated for an Oscar and numerous ACE Eddie Awards for his work on Election, About Schmidt, Sideways, The Descendants, and Nebraska. He also won an…
Adobe Creative Cloud video: 2019 NAB releases
Just ahead of the 2019 NAB convention, Adobe has announced new features and performance updates for audio-video tools in Adobe Creative Cloud. New features include Content-Aware Fill for…
Find N Replace – a very useful Adobe Premiere Pro extension for batch renaming of clips
Here’s a useful tool for Adobe Premiere Pro editors that is useful enough that it gets its own dedicated post instead of being part of our regular Useful…
Adobe releases Premiere Rush, the easy, cross-platform video editor that may not be made for you.
The internet (or at least the video editing and creation side of the internet) is in a rush over Adobe’s release of Premiere Rush, their new video creation tool…
Which non-linear editing application should a graduating high school senior be certified for?
There was a tweet the other day asking an interesting question about non-linear editing certification for a graduating high school senior and which NLE certification would be most valuable…
ART OF THE CUT with Oscar nominee Lisa Zeno Churgin
Lisa Zeno Churgin, has an extensive filmography, including Pete’s Dragon, Pitch Perfect, House of Sand and Fog, Cider House Rules – for which she was nominated for an Oscar…
How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes during the four week + edit. Was I shocked…
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball. He also worked on an episode of The New Yorker…
The Adobe Premiere Pro Fall 2018 update – better color and better audio are highlights
Are you wondering if Adobe is going to update the Creative Cloud video tools for IBC 2018? Well, wonder no more (and tune in for a live Q and A…
Sequence Duplicate is the Adobe Premiere Pro feature that should have been built in from the very beginning
How often have you been working in Adobe Premiere Pro and you duplicated a sequence into a new version only to forget to load that new copy into the timeline…
A Premiere Pro Quicktip I can’t believe I never thought of
Here at the Editblog we love Quicktips and have run whole months of them over the years and even invited readers to play along. Just the other day I came…
State of the NLE at Faster, Together 2018
The Right Editing Software We’ve all at least seen it happen. Someone mentions an editing software. Someone else derides the intelligence of anyone who would use said software…
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ART OF THE CUT with Anne McCabe, ACE December 2, 2019
