Atomos Brings 12-bit ProRes RAW to Z CAM E2 Camera
Atomos and Z CAM bring ProRes RAW recording over HDMI from the E2 cinema camera to the Ninja V...
NAB-AT-HOME 2020: Canon C300 Mark III, 25-250mm Lens, and HDR Display
Working from home, or in my case working in my garage, I talked to Larry from Canon about the...
NAB-AT-HOME 2020: Sony Announces Updates to VENICE and FX9
With new firmware upgrades, Sony will expand the capabilities of its VENICE and FX9 full-frame cameras. More features and...
NAB-AT-HOME 2020: Blackmagic ATEM Mini Pro, Pocket and Hyperdeck Studio Mini
We now live in a time of Live Streaming Video, Zoom calls, and social distancing. Blackmagic just so happened...
NAB-AT-HOME 2020: ZEISS SUPREME PRIME RADIANCE LENSES
It is all about that flare and the ability to control it. ZEISS Supreme Prime Radiance lenses help cinematographers...
The New Canon C300 Mark III Announced
Modular, 16 Stops of dynamic range, 4K Canon Raw Lite, with, and this next feature is a nice big...
Fujinon Announces New 8K and a 4K Broadcast Lenses
Today, via a zoom press conference, Fujinon announced two new Box Lenses and a new broadcast portable zoom. Two...
A Review Of The New Panasonic AG-CX10 UHD Camcorder
If I were to be absolutely honest, my original thoughts about the Panasonic AG-CX10 4K Camcorder were, “Okay, a...
Large Format Shootout // Mini LF, C500mkII, FX9, VENICE
Ever since I took ownership of my C500mkII I’ve been asked over and over how it stacks up against...
The New Blackmagic Design 12G 7-Inch Video Assist 4K Review
The original Blackmagic Design 7-inch Video Assist 4K is one of my all-time favorite monitors/recorders. The main reason I...
