Steve Hullfish

Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT on Ridley Scott’s Alien: Covenant

ART OF THE CUT on Ridley Scott’s Alien: Covenant

Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was also nominated for Gladiator and Good Will Hunting. Other films have…

ART OF THE CUT – Editing Wonder Woman

ART OF THE CUT – Editing Wonder Woman

Martin Walsh won an Oscar and an Eddie for Best Editing for Chicago (2002).   His editing credits go back to the mid-‘80s and include films like Bridget Jones’ Diary…

ART OF THE CUT on doc editing with Maya Mumma

ART OF THE CUT on doc editing with Maya Mumma

Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here? The Life…

ART OF THE CUT – PIRATES edition

ART OF THE CUT – PIRATES edition

Art of the Cut delivered several interviews – per our readers’ requests on docs, trailers and indies) but we’re back to discussing major studio tent-pole features with Pirates…

AOTC with editor of the documentary “KEDI”

AOTC with editor of the documentary “KEDI”

Mo Stoebe currently works as freelance editor of both documentaries and narrative films in Los Angeles. He got his start in the industry as motion designer and animator for commercials…

ART OF THE CUT, editing “A Series of Unfortunate Events”

ART OF THE CUT, editing “A Series of Unfortunate Events”

Stuart Bass, ACE is a Primetime Emmy winning editor (for Pushing Daisies) and has been nominated for numerous Emmys for his editing on shows including The Wonder Years, Arrested Development…

ART OF THE CUT: cutting “Guardians of the Galaxy, Vol. 2”

ART OF THE CUT: cutting “Guardians of the Galaxy, Vol. 2”

Fred Raskin, ACE has edited numerous films including Django Unchained, Hateful Eight (for which I interviewed him previously), and several of the Fast and Furious franchise. Craig Wood, ACE has…

ART OF THE CUT with a trailer editor

ART OF THE CUT with a trailer editor

Recently I asked readers of Art of the Cut about what types of editors they wanted to hear from. The poll numbers showed: doc editors, trailer editors, indie editors and…

ART OF THE CUT on editing “Logan”

ART OF THE CUT on editing “Logan”

Logan has two credited editors and an additional editor. One of the editors, Michael McCusker, was already editing his next project when I did this interview, (plus I had recently…

ART OF THE CUT – editing “Lost City of Z”

ART OF THE CUT – editing “Lost City of Z”

Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar® winner Anne Coates’ assistant on Out of Sight and Erin Brockovich (I interviewed Coates…

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