Steve Hullfish

Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT with the editors of “Detroit”

ART OF THE CUT with the editors of “Detroit”

Hopefully, for regular readers of Art of the Cut, there’s a lot to be learned from every interview. I feel this one is exceptionally valuable, mainly because, in addition…

ART OF THE CUT with Michael Berenbaum

ART OF THE CUT with Michael Berenbaum

Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the City. His work also includes editing both Sex and the City…

ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK

ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK

Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which he was nominated for an ACE EDDIE), The Dark Knight (for…

ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir

ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir

Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe and America since the days of editing on celluloid. Her films…

ART OF THE CUT with Paul Machliss on Baby Driver

ART OF THE CUT with Paul Machliss on Baby Driver

Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss was an obvious choice to edit the musically driven Baby…

ART OF THE CUT with the editor of “War for the Planet of the Apes”

ART OF THE CUT with the editor of “War for the Planet of the Apes”

William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then…

ART OF THE CUT celebrates the Emmy nominees

ART OF THE CUT celebrates the Emmy nominees

The 2017 Emmy nominations have been announced and if you’re interested in the editors and the shows that were honored, many of the editors and many of the…

ART OF THE CUT with Despicable Me 3 editor, Claire Dodgson

ART OF THE CUT with Despicable Me 3 editor, Claire Dodgson

Claire Dodgson has been working on animated films since starting as 2nd assistant editor on Corpse Bride (2005). She also assisted on Fantastic Mr. Fox (2009) as 1st assistant. She…

ART OF THE CUT with the editing team for Transformers: The Last Knight

ART OF THE CUT with the editing team for Transformers: The Last Knight

Art of the Cut takes a step into the epic – not just with the film we’re discussing – but because to cover the editing of Michael Bay&#8217…

ART OF THE CUT on Ridley Scott’s Alien: Covenant

ART OF THE CUT on Ridley Scott’s Alien: Covenant

Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was also nominated for Gladiator and Good Will Hunting. Other films have…

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