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Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT with Pete Beaudreau on editing “Queen and Slim”

ART OF THE CUT with Pete Beaudreau on editing “Queen and Slim”

Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The Gambler, All is Lost, My Week with Marilyn, Margin Call…

ART OF THE CUT with Anne McCabe, ACE

ART OF THE CUT with Anne McCabe, ACE

In 2011, Anne was nominated for an ACE EDDIE for her editing of an episode of Nurse Jackie. In 2013, she won an ACE EDDIE for her editing of an…

ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE

ART OF THE CUT with “Terminator: Dark Fate” editor Julian Clarke, ACE

Julian Clarke, ACE was nominated for a BAFTA, an ACE Eddie and an Oscar for his editing of District 9. He was nominated for an ACE Eddie for Deadpool and…

ART OF THE CUT with editors of “Ford v. Ferrari”

ART OF THE CUT with editors of “Ford v. Ferrari”

Michael McCusker, ACE was nominated for an Oscar and won an ACE Eddie for editing Walk the Line (2005).  He was nominated for an Australian Screen Editor’s Award…

ART OF THE CUT with the editor of 2019 Cannes Palme d’Or winner “Parasite”

ART OF THE CUT with the editor of 2019 Cannes Palme d’Or winner “Parasite”

Parasite won the prestigious Cannes Palme d’Or in 2019. In this Art of the Cut interview, we discuss the unique methods and workflow used in production and post…

ART OF THE CUT with Oscar nominee Joe Klotz, ACE, on editing “Motherless Brooklyn”

ART OF THE CUT with Oscar nominee Joe Klotz, ACE, on editing “Motherless Brooklyn”

Joe Klotz, ACE has had a feature film and TV career that has spanned more than two decades. He was nominated for a 2010 Oscar for his editing of the…

ART OF THE CUT with Billy Fox, ACE on editing “Dolemite is my Name”

ART OF THE CUT with Billy Fox, ACE on editing “Dolemite is my Name”

(Thanks to editor Simon Smith, I realized that we just passed our 200th Art of the Cut interview with Zombieland: Doubletap! Man, that’s a lot of work! Hopefully…

ART OF THE CUT on editing “Zombieland: Doubletap”

ART OF THE CUT on editing “Zombieland: Doubletap”

Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan – which was a previous Art of the Cut interview &#8211…

ART OF THE CUT with Oscar nominee Tim Squyres, on editing “Gemini Man”

ART OF THE CUT with Oscar nominee Tim Squyres, on editing “Gemini Man”

Tim Squyres, ACE, has been nominated for multiple Oscars and ACE Eddies and BAFTAs for Crouching Tiger, Hidden Dragon, Gosford Park and Life of Pi. His filmography also includes Billy…

ART OF THE CUT with “JOKER” editor, Jeff Groth

ART OF THE CUT with “JOKER” editor, Jeff Groth

Jeff Groth is an ACE Eddie nominated editor for his work on an episode of Entourage (2004).  Jeff’s filmography includes War Dogs, Entourage, and The Hangover Part III…

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