Quick Look: EasyTracker for FCPX

Quick ‘n’ easy point & planar trackers, $49 intro price

I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the shiny-shiny, protecting my wallet from harm and my effects folders from clutter, but this one caught my eye:

Hi everyone,

Today [18 January] we’re introducing EasyTracker for Final Cut Pro X.

EasyTracker is a plugin that lets you quickly track the motion of objects in your video.  You can see it here:

http://www.crumplepop.com/easytracker

With EasyTracker, you can:

– Make a title, graphic, or animation “stick” to something in the frame and follow it around.
– Replace the screen of a phone or computer with your own image or video.
– Replace a sign, billboard, or window with your own image.

For the next week, you can get EasyTracker for $49.

Get it here:

http://www.crumplepop.com/easytracker

After 1 week, the price will move to $99.

Enjoy!

– Gabe, Patrick, Sara, and Jed at CrumplePop

This I had to see. Fortunately CrumplePop’s plugins are freely downloadable and usable in demo mode; you just get a red X across the image if you haven’t paid for it.

What you get

EasyTracker gives you two plugins, a point tracker and a planar tracker:

EasyTracker plugins

Reasonably painless video tutorials on CrumplePop’s site show how they’re used: drop ’em on the background clip, put the clip, still, or title you want to track to it (a.k.a the Follower) in a hidden (invisible) compound clip on another track, set up your tracking points, and let rip. (You want to use a compound clip to ensure that timeline edits are respected. For example, if you trim the head of a follower clip, it’ll play from the trimmed start in a compound clip, but if you use the clip on its own, it’ll play from frame zero, no matter how you trim the head.)

Here’s the control panel for the point tracker:

EasyTracker point tracker

The tracking point is the area in the blue rectangle. Your follower appears in the red rectangle, and can be rotated, scaled, repositioned with respect to the tracking point, and varied in transparency, and all these parameters are keyframeable.

The planar tracker has similar controls:

EasyTracker planar controls
Here I’m replacing one suppository label with another — don’t ask

There’s only one onscreen rectangle to deal with. You corner-pin the rectangle (which needn’t remain rectangular in the process) to the target, and that’s where your follower winds up.

Again, you can shift and scale the follower, but it’s always contained within the tracking rectangle: you can’t track a small area and paste a larger follower on top of it.

How it works

Position your elements, hit Track, and wait a short while for the motion to be analyzed…

EasyTracker Analysis phase

Hey presto: label replacement with basically no effort (you can probably guess how much effort I put into it from the quality of the new artwork, a PNG built in Pixelmator):

EasyTracker before and after

So: dump mocha, After Effects, Motion, and Resolve? Not quite; there are a few limitations. I purposely threw some nasty tracking tasks at it to see what would happen, and here’s what I found:

  • While the planar tracker does an excellent job of cleanly resizing and repositioning the follower, scaling / rotating the follower for the point tracker is fairly coarse, and the follower appears to move without subpixel positioning. The point tracker works best when not using the scaling and rotation function: resize your follower in its compound clip for best results instead of using the EasyTracker controls. Look at the “House” title above: it’s a 3D title with textured copper, so that explains the fill, but the grunge of the outline is due to rotating/resizing applied by EasyTracker (the aesthetic crime of using textured copper 3D text in the first place is mine alone). The integral-pixel changes in position mean that you’ll have the best results when your motion is reasonably quick, too, so you won’t notice the follower moving in integral-pixel increments.
  • The trackers are fairly easily confused when the underlying image changes significantly; even motion blur can throw things off:

    slipping follower
    This video pasted onto an iPad screen stuck fairly well, until the camera moved too quickly
  • Planar tracking doesn’t like to have its target corners drift out of frame, and occlusions aren’t handled at all: when I waved my hand across the iPad I’d pinned the video to, I wiped the video clean off.
  • There are no helper controls for the tracking: you can’t set a maximum search radius for a lost point, or have the tracker extrapolate motion when a point goes missing, or manually reposition a point. If your tracking point(s) drift during the clip, there’s no way to nudge ’em back where they belong. But as long as your tracking target stays cleanly in frame, and its features stay sharp and well-defined, EasyTracker works well, and quickly, too. (For the point tracker, I had fairly good luck even when the tracked area drifted out of frame and then came back in, though obviously the follower just sat in place while its tracking target wasn’t visible.)
  • EasyTracker doesn’t add any motion blur to the follower—so even if the fast pan above had worked, the pasted-on image would have remained suspiciously sharp.
  • Transparency in a follower PNG file isn’t dealt with nicely: I tried to feather the edges of my new label so it would blend better with the underlying box, but the edges went dark in proportion to the transparency, and I didn’t find that changing composite modes for the source graphic or compound clip made any difference.

Based on a couple hours of fiddling, EasyTracker looks useful for simple tracking tasks where the quality of the tracked area doesn’t change for the duration of the clip, and where you’re tracking in hard-edged quadrilateral graphics or video, or an FCPX title. EasyTracker follows a very Apple-like philosophy: as long as it works, it works great, and it’s almost criminally easy to use. But if you need to get any deeper into the weeds, you’ll need a deeper tool.

Have a look at the tracking tasks in CrumplePop’s demo video; those are the sort of things that EasyTracker is perfect for.

Am I being critical? No; after all, it’s called “EasyTracker”, not “mocha Pro“. The point of these plugins isn’t to give you cinema-quality subpixel-positioned tracking of difficult shots, but to supply cheap ‘n’ cheerful tracking quickly and easily within FCPX, without having to hassle with finicky details in another app or manually keyframe a track. If you do need to hassle with finicky details, there’s always Motion, or AfterEffects, or mocha Pro—but if you just need a speedy track, and the background clip is reasonably consistent for the duration, EasyTracker is both easy and quick.

I’m not trying to convince you one way or the other, just letting you know about a tool that might save you a lot of time if this is the sort of thing you need to do a lot. Download EasyTracker yourself and play with it; see if it’ll work for the typical tracking you do. If you like it, it’s on sale for $49 until at least 24 January, and $99 thereafter.

EasyTracker requires FCPX 10.2.3 or newer, macOS / OS X 10.11 or newer (the CrumplePop site says “10.11 or better”, but I don’t think it’ll work on OS X 10.6, grin), and—of course—FXFactory itself, which is free: you can’t beat that with a stick.


Disclosure: I’m on the CrumplePop mailing list because I’m interested in their stuff, but I have no material relationship with CrumplePop, Noise Industries, or Apple. Nobody paid me to post this nor was I offered any other blandishments to do so. However, I confess that it’s fun to write “blandishments.” Blandishments, blandishments, blandishments…

 


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Adam Wilt

Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He reviewed cameras for DV Magazine and started its “Technical Difficulties” column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book, “Optimizing Your Final Cut Pro System”, part of the Apple Pro Training series. He currently writes for ProVideoCoalition.com and DVInfo.net, and creates iPhone apps like Cine Meter II and Wi-Fi WFM.

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