In this article, we’re going to talk about DaVinci Resolve, when it comes to creating DCP’s. What makes Resolve...

In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...

Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in...

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create 3D text reveals in...

We kicked off this “classic course” series with a post on working with interlaced footage. Now we can share...

Adobe has revealed enhancements to their Creative Cloud video tools and services at IBC 2017. From September 15-19, Adobe...

As the Chief Workflow Engineer at a server company, I am very excited about the new collaboration features in...

With IBC just around the corner that must mean it’s time for another update to the Adobe Creative Cloud...

Every now and then a little tool comes along that just might transform your editing and post-production workflow. I’m...

Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...

Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on...

We’re re-publishing some of our older but hopefully still useful courses for free. This technique is one of our...

Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...