Sony HXR-NX5R has adjustable LED light
28 Days of Cinematography Insights Redux – Day 24 – Do you ever miss the look you were able to achieve with film?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
CineXinsert: your digital scissors for NLEs
CineXinsert, which I like to think of as digital scissors, is a modern tool that treats your file as...
Editfest 2016: Cutting it in Hollywood with the American Cinema Editors
American Cinema Editors (ACE) is an honorary society founded in 1950 by editors who wanted to create a forum...
The Video Editing Go-Bag
Over the last few months I’ve had a couple of situations pop up where I’ve needed to do some...
Edelkrone Wing: perfect slides, no rails
The Wing is the world’s most compact solution when it comes to moving a camera like a slider does....
28 Days of Cinematography Insights Redux – Day 23 – Are there any general “lighting rules” that you have or follow?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Ben-Hur Uses Blackmagic Micro Cinema Cameras For Opening Sequence
For the opening sequence of Metro-Goldwyn-Mayer and Paramount Pictures’ epic “Ben-Hur” 2nd unit DP Sergei Kozlov turned to Blackmagic...
Sony updates the α7R II, Brooks Institute closes
A new Tamron macro lens for Sony’s A mount introduced along with a TAP-in console and a firmware update...
28 Days of Cinematography Insights Redux – Day 22 – Is soft light more pliable than hard light?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
28 Days of Cinematography Insights Redux – Day 21 – Experimenting with soft and harsh pools of light
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
ART OF THE CUT with Paula Heredia
I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s...
Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1
In this lesson, Kevin P McAuliffe starts the first of a multi-part lesson on creating Motion Effects inside of...
Rageboard – The big, impressive looking color grading panel for your Tangent Elements
Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost...
Cut like an Oscar Winner
I train professional editors all over the world and one of the fundamentals that I push is to do...
