In this Let’s Edit with Media Composer tutorial, we’re bridging the gap between After Effects and Media Composer with...

Los Angeles Post Production Group’s April 18th meeting will feature two presentations from industry leaders, Vimeo and Halon Entertainment...

Whether we’re talking about archive, workflow, storage or the post-production process itself, more and more is headed to the...

Available April 24, the new action microphone from Sennheiser is ideal for surfing, climbing or mountain biking – and...

This week on MacBreak Studio, Steve Martin from Ripple Training shows us a two useful and quite different uses...

Ben Baudhuin and Luke Doolan share editing credit on the film, Colossal. But unlike many of the other co-editing teams...

Recently, I published a full review of RINGR, a lovable tool for recording remote audio interviews. In that review,...

At CES 2017, Nick Woodman, CEO of GoPro described his vision of his company as providing the most extensive...

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...

The Technicolor Color-Certified PV270 and the PV3200PT monitors from BenQ will be used for practical demonstrations in the fields...

The show “Reaching for the Stars: Connecting to the Future with NASA and Hollywood” will go live April 26...

Designed for TV studios and theatres, the 350-watt Pro-Cyc Color from Zylight, available this Summer, gives users a whole...

Another question from the Avid Editors of Facebook becomes the subject of this Let’s Edit with Media Composer tutorial!...

Using a prompter with a PTZ camera will be easier in the future, claims CueScript. The company will show...