iPad Air 2 is semi-matte!/My MacBook Air is now matte too!
Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use....
Review: ThunderBay IV 4-bay 12TB Thunderbolt system
Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Blackmagic Announces Firmware 1.9.7 Update
Blackmagic announced today the immediate release of camera firmware 1.9.7 that allows in-camera formatting for the Blackmagic Cinema Camera...
Sneak peeks at Adobe Max 2014: Editing, animation, audio, and design
In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
Video Copilot Element 3D v2 unveiled
Andrew Kramer unveiled new features coming in the long-awaited Video Copilot Element 3D V2, which is compatible with AE...
New Creative Cloud and mobile apps at MAX 2014
Today at Adobe MAX 2014, Adobe released a new family of iOS mobile apps and enhanced Creative Cloud 2014.1...
