Sigma expands AF Cine Line with AF Cine 28-105mm T3 FF
Based on the optical formula of Sigma’s 28-105mm F2.8 DG DN | Art lens, the AF Cine 28-105mm T3...
AI Tools Artist Spotlight: an Interview with Matt Silverman
In this installment of my Artist Spotlight series, I interview Matt Silverman of iBelieveInSwordfish – a motion design studio...
Equipment great and small at BSC Expo
There is sometimes a feeling that a well-attended film and television trade show suggests that crew are lacking other...
RØDE extends direct connect Bluetooth pairing to Wireless Go (Gen 3) + Wireless PRO
RØDE has just announced a major free firmware update across its premium wireless range, with Wireless GO (Gen 3)...
Using Sonuscore’s THE PULSE for cinematic underscore
THE PULSE is a complete production environment designed for composers who need cinematic soundscapes, evolving rhythms, and compelling electronic...
ZEISS Aatma: nine full frame cinema primes debut at BSC Expo
Derived from the Sanskrit word meaning “innermost essence,” “self,” or “soul”, the name Aatma introduces a set of nine...
2025 in review: What the people want
One of the trickier things about camerawork is that it very rarely gets end-user feedback. If the end user...
Exploring the multidisciplinary use of Blackmagic Design cameras for filmmakers
Production has become an industry where versatility is paramount. The ability to apply our creative skills across multiple audiovisual...
Radiant Camera Ecosystem: six new photo/video apps for iPhone
With two apps launched now, the Radiant Camera Ecosystem will grow to offer a set of apps designed for...
Reviewing Nikon’s NIKKOR Z 28-135mm f/4 PZ
There’s a certain kind of relief that comes from using a piece of gear that just quietly delivers. The...
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Adobe video IBC 2026 announcements
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