Digital Camera Systems needs your lens metadata
The survey now announced aims to gather anonymised data on how lens metadata is captured, transferred, preserved and used,...
Adobe Premiere is adding a Generative Media Tool
Adobe is continuing the generative AI march forward in Premiere (beta) with the new Generative Media Tool. It’s a...
Topaz Video – In Depth Review
Topaz Labs have been the dominant name in AI upscaling for the best part of a decade now and...
Tool Tip Tuesday for Adobe Premiere: Never See Red Again: The Hard Limiter on Your Master Output
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition When your audio hits the red, the top...
Color Mode in Premiere (beta): Color and Contrast Controls — Zones, Not Lift/Gamma/Gain
If you’re used to lift, gamma, and gain, you’re used to thinking in three parts: shadows, midtones, and highlights....
Color Mode in Premiere (beta): The Divide and Conquer Grading Workflow
Most editors approach color as a clip-by-clip task. That model works for simple timelines, but it does not scale....
After Effects Portal June 2026
The first half of the year was action-packed for After Effects, with months of big features, AI and freemium...
Surprise! It’s Final Cut Pro 12.3
Sooner than you may have expected, yes, it’s time for another major release of Final Cut Pro, with features...
Tool Tip Tuesday for Adobe Premiere: Quick Finding of Similar Shots using Media Intelligence
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition The dreaded question: “Where are clips just like that...
Drive a Thousand Elements From One Control: Procedural Cinema 4D for After Effects Artists
You have ninety layers in a composition. They all need to move, but they can’t all move at once....
