Dear Adobe, Blackmagic and other post-production software makers, don’t export on-screen error messages and watermarks
Here is my open letter to companies like Adobe, Blackmagic Design and all the other non-linear editing and post-production...
ART OF THE CUT – Cutting “Wonder Woman 1984” with Oscar-nominated editor, Rick Pearson, ACE
Rick Pearson, ACE has been nominated for an Emmy, a BAFTA, multiple ACE Eddies, and an Oscar. He has...
ART OF THE CUT – 2020 Recap – A Crappy Year, but in Brilliant Editing Quotes
2020 for me included a half-million words of editing wisdom from some of the best editors and most exciting...
The End of 2020 and the Beginning of 2021 in Production and Post – PVC Roundtable Discussion
We detailed how filmmakers should approach work in the midst of COVID-19 and what it means to stay safe...
Art Of The Cut Podcast Eps. 80 (“Wonder Woman 1984” Editor Richard Pearson, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
REVIEW – Continuum 2021 AVX
If you use effects in your editing timeline (and let’s be honest, who doesn’t), then you’ve come across Boris...
ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix...
Art Of The Cut Podcast Eps. 79 (“Ma Rainey’s Black Bottom” Editor Andrew Mondshein, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The 10 Adobe Premiere Pro and After Effects updates in 2020 that should be part of your workflow
If you’ve been using Adobe video applications for a long time it’s easy to miss new features that arrive...
Review: HandShaker transfer-macOS for Android devices + Auphonic crossgating resolution
Auphonic is still the king of automatic crossgating to reduce crosstalk among multiple microphones (especially when there is much...
