Premiere Color Mode (Beta): Understanding the Operations System — Adjust vs. Style
Color Mode is not built on effects, layers, or nodes. It is built on Operations—named reusable image decisions that...
Additive Keying in After Effects for hair and fine details
2019 doesn’t sound like it was that long ago, but a lot has happened in seven years. In fact,...
Strada at Cine Gear 2026 – Strada 2.0 redefines remote post-production workflows
Strada Connect impressed many at NAB 2026, introducing a peer-to-peer alternative to traditional cloud storage and file-transfer workflows that...
DaVinci Resolve 21 released, in record time, including the iPad version with the new Photo page
We are just a couple of months past NAB 2026 and DaVinci Resolve 21, which was released as a...
Newest Beta SP decks celebrate 25th birthday
Every so often, the BBC proudly puts out a press release that it has found a long-lost episode of...
Tool Tip Tuesday for Adobe Premiere Pro: Understanding the Status column
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Offline media can be a big frustration when working...
After Effects Portal May 2026
After a breakneck few months of big features, AI and freemium competition, news on Adobe After Effects has returned...
Hands-on with GoPro Lineup in the field (plus Mission 1 Pro)
There’s been a lot of updates and new product releases from GoPro that’ I’ve finally had an opportunity to...
Rethinking color correction in Final Cut Pro, with Kolor
The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as...
Tool Tip Tuesday for Adobe Premiere Pro: Perfect Sequence Templates (With Track Names That Actually Stick)
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition One of the signs of an experienced editor: specific...
