ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
Get Started Fast with Media Composer for Adobe Editors — Part 4
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
The Top 8 Series on PVC in 2016
We’ve already taken a look at some of the biggest articles that were published in 2016 on PVC, but...
Let’s Edit with Media Composer – ADVANCED – Recording Voice Overs
In this lesson, Kevin P McAuliffe talks about how to record voice overs directly into Avid Media Composer using...
Get Started Fast with Media Composer for Adobe Editors — Part 3
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
VoiceQ: dubbing and ADR for the masses
Global technology innovator Kiwa Digital presented recently what the company considers to be a paradigm shift for the industry:...
The Top 10 Articles on PVC in 2016
Over the past couple years, we’ve taken a look back on practically all of the content that was published...
Get Started Fast with Media Composer for Adobe Editors — Part 2
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
The Truth and Hype on 4K, 8K, UHD and HDR
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on...
ART OF THE CUT with “Nocturnal Animals” editor Joan Sobel
Joan Sobel, ACE began as first assistant on such films as both of Quentin Tarantino’s Kill Bill films. She...
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Post Production
Adobe’s IBC release for Premiere and After Effects
Post Production
