Taking the “Stock” out of Style Elements
NAB 2015 made me rethink what a “Stock Element” is, and why Style Elements are quite simply the “Plug-in...
3D Logos in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how anyone can turn a flat logo...
After Effects Hidden Gems: Set First Vertex
A common trick is to use the Stroke effect to wipe on a line along a mask path. You...
Editors: Do you prefer more shorter clips or less longer clips?
I was recently working on an edit that used footage captured by two shooters covering a weekend event. The...
Art of the Cut with Fabienne Bouville, ACE
Fabienne Bouville, ACE, will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and...
Pro Tools First from Avid is very powerful yet free. Who should use it?
Back in February, I published an article called: 48 reasons why GarageBand is kryptonite for video production. At that point,...
Adobe Cloud Needs a Cinematographer’s Plan
With the price of Lightroom 6 up on the $150 mark and the special prices Adobe offers until the...
NAB 2015 Wrap-up. Winners, Losers, Drones and Escalators
With another NAB in the books it’s time to take a look back on what we saw, where we...
Tracking 3D Text in Motion
In this episode of Motion Magic, I demonstrate one way of integrating floating 3D text into a scene using...
The Art of the Cut: With Andy Grieve, editor of “Going Clear”, “We Steal Secrets”, “The Armstrong Lie” and others
Andy Grieve will be among a select group of editors featured in Manhattan Edit Workshop’s Sight, Sound and Story...
