Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Photogrammetry and Visual Effects
Photogrammetry and Visual Effects
The Editblog’s 2017 NLE Buyer’s Guide
It’s a new year and 2017 is a year unlike any other in terms of the technology we have...
ART OF THE CUT with Oscar winner William Goldenberg, ACE
William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty,...
2017 Oscar Nominees with links to ART OF THE CUT editors
The following are Oscar nominees with links to Art of the Cut interviews with the film editors involved. ART...
Let’s Edit with Media Composer – Creating Film Looks with BCC
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...
ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
Quick Look: EasyTracker for FCPX
I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the...
Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the...
ART OF THE CUT with Thelma Schoonmaker on Silence.
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in...
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Post Production
Adobe’s IBC release for Premiere and After Effects
Post Production
