ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
Charlie Parish: three years filming HBO’s The Defiant Ones
Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...
Creating a Tilt-Shift Effect in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on...
Classic Course: Instant Sex
We’re re-publishing some of our older but hopefully still useful courses for free. This technique is one of our...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
Generic Screen Replacements in Motion and Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use Motion’s tracking and...
REVIEW – MacCaption from Telestream
As editors, we can wear a lot of hats. We can be the image cutter, color grader, VFX master,...
X-Particles Paint Streaks
X-Particles Paint Streaks Welcome to the X-Particles Paint Streaks video tutorial. I decided to mix things up a bit...
Key Details of the VEGAS Pro 15 Release
We’ve talked about what makes VEGAS Pro distinct in terms of being able to offer editors options that no...
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