After Effects News 2018 October #1
Recently in the world of After Effects, there’s been continued discussion of mograph as a tween, counterparts, OS requirements...
Cine Gear 2018 ATL: New City, New Lenses, New Lights
Ahhhh trade shows…endless amounts floor space and people vying for your attention. More importantly, they gotta scan your badge...
Editing Action: a new course on moviola.com
While editing dialogue is a vital skill in filmmaking, it can be argued that editing action is even more...
Solutions to Resolve Part 1: Precise sharpening and noise reduction
This short series of articles is about various aspects of Resolve that are important but not as well known...
ART OF THE CUT with Oscar nominee Lisa Zeno Churgin
Lisa Zeno Churgin, has an extensive filmography, including Pete’s Dragon, Pitch Perfect, House of Sand and Fog, Cider House...
Learn VEGAS Pro 16 – How to Use the New Stabilization and Motion-tracking Features
We’ve highlighted where and how VEGAS Pro is different from the competition, but VEGAS Pro16 takes these distinctions to...
Switching to Windows: the hidden cost
As with many folk in the film industry, the absence of Nvidia options from Apple’s line of laptops forced...
ZEISS ZX1: the world’s first full frame camera with Adobe Lightroom CC inside
Ugly, huge and strange, the new ZEISS ZX1 is the first camera in the world to come with a...
REVIEW – MOCHA PRO 2019
How do you make “the best” even better. Now, I know that saying something is “the best” can be...
How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...
PVC Favorites
Adobe Insights
