Hitfilm Express goes “Pay What You Want”
UK-based FXHome, makers of Hitfilm Express (the free version of Hitfilm Pro) recently announced that they’re launching a “Pay What...
3 ways post-production professionals can build a personal brand
Today I want to talk to you about something that I hazard to guess isn’t spoken of a lot...
Create movie credits like a pro using Endcrawl
Recently, I have been working on a film called The Right Girls. It is a story of several transgender...
After Effects & Performance. Part 9: Cold, hard cache
Does adding more RAM to your computer make it faster? It’s a surprisingly tricky question. Strictly speaking: no. But...
ART OF THE CUT with the editors of “The Call of the Wild”
Today we’re discussing The Call of the Wild which, like the recent Planet of the Apes movies, is a...
Voices From Sundance: “Save Yourselves!” Editor Sofi Marshall
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
Let’s Edit with Media Composer – Working with Boris Sapphire’s S_LensFlare
If someone asks you what your favorite effect is, what would you say? I always have the same answer. ...
Quad Split Multicam Editing in FCP X
This week’s MacBreak Studio requires a bit of a backstory. At the end of January, Steve Martin and I...
Art of the Cut Podcast Eps. 35 (Editor Walter Murch, ACE On Writing “The Conversations” & “In the Blink of an Eye”)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Voices From Sundance: “Scare Me” Editor Patrick Lawrence
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
