The ABCs of Sound Part II
In our last post on sound design terminology, we looked at the lesser-known and sometimes amusing names for common...
The return of Automatic Duck: FCPX to After Effects and Media Copy
If you’ve been working in this business for awhile you’ll most likely have fond memories of Automatic Duck. The...
New glass: SLR Magic ANAMORPHOT-CINE primes
Hong Kong’s SLR Magic has just announced the development of two sets of anamorphic primes: 1.33x and 2.0x. The sets...
Adobe Premiere CC to add HDR & HEVC (H.265)
At IBC in Amsterdam, Adobe has announced that they will soon be adding initial support for HDR (High Dynamic...
Adobe Premiere & Audition to add loudness standards
At IBC in Amsterdam, Adobe has announced that they will soon be adding support for the new perceived audio...
NewTek announces NDI, an open protocol for IP production workflow
At IBC in Amsterdam, NewTek announced its Network Device Interface (NDI), a new open protocol for live production IP...
FCP X 10.2.2/Pro XAVC Long GOP compatibility bulletin 2015.2
Users of Sony’s PXW-X70 camcorder and Final Cut Pro X can now rejoice, since FCP X 10.2.2 finally brings...
The aftermath of the film vs video debate – A PVC Roundtable Discussion
You don’t often see articles like these anymore, where a famous filmmaker or cinematographer explains their decision to move...
What makes Sony Vegas Pro a fit for your workflow or post-production environment?
We’ve talked with the people at Sony creative Software about their offerings before, and it’s always great to find...
Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
