ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing...
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Modular and Reusable Diffusions
When I spec out a lighting and grip package, I generally request a number of 4×4 and 2×3 gel...
Photogrammetry and Visual Effects
Photogrammetry and Visual Effects
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
The Editblog’s 2017 NLE Buyer’s Guide
It’s a new year and 2017 is a year unlike any other in terms of the technology we have...
Vimeo Pro portfolios: How to overcome 2 major deficiencies
Previously, I covered Vimeo Pro’s portfolios, and how to use your own domain or subdomain (i.e. videos.MyDomain.com) on Vimeo’s...
ART OF THE CUT with Oscar winner William Goldenberg, ACE
William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty,...
Turn Any Car into a Camera Car with MotoCrane
The challenges and costs of a Russian Arm System that gets attached to vehicles during a shoot are well...
