Vintage TV Studios in Modern Film and Television
Have you ever watched a movie or a television program set in a time decades ago that had a...
Stop working for free!
It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for...
Scorpion VFX: a modern take on the VFX pipeline
The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number...
Rigging Transitions in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion...
Small Camera, Big Picture – Producing a Dream with the Sony a6300
Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with...
Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
After Effects Bootcamp for Avid Editors – Part 2
If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
Spreaker platform for the new radio: compelling features + my suggestions
Misunderstandings abound regarding the meaning of a “media host” for online radio shows (podcasts and beyond) as opposed to...
Review: Fujinon MK18-55mm T2.9 E-mount cine zoom
Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the MK50-135mm T2.9....
