Legal and Creative Considerations When Live Streaming
To get a better sense of whether or not the “Solo” live streaming device from LiveU was as reliable...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Review: Status Audio CB-1 brandable isolating headphones
If you’re a longtime reader, you have probably seen my articles about the multiple advantages of branded windscreens, as...
ART OF THE CUT with Dylan Tichenor, ACE on Phantom Thread
Phantom Thread features a collaboration between editor Dylan Tichenor and director Paul Thomas Anderson. They had previously teamed on...
First Look: GoPro Fusion 360 Cam & Software
The GoPro Fusion is the long-awaited 360 VR camera that shoots a full spherical 5.2k video with seamless stitching...
Search – A Conversation with the Editors
Editors Will Merrick and Nick Johnson co-edited the film Search, which premiered last weekend at Sundance 2018. Search is...
Working with Camera LUTs and Creative LUTs in Final Cut Pro X
This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about how to work with Camera...
FieldMonitor 4.5: more Sonys, focus assist
I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...
Quasar Tube Photometrics
Quasar Science Q-LED tubes have a very popular new lighting option, but oddly enough Quasar doesn’t offer any photometric...
Is the G-Drive Mobile SSD R-Series a Reliable Storage Option?
There comes a time in every working filmmakers life where at the end of the day, they have to...
