Big lights could (should) give filmmakers pocket-sized power
Today, your narrator is going to abuse his position to complain about a standard that should exist, but doesn’t....
StreamYard goes 48 kHz! Welcome to the Alliance!
Three years and ten months ago, we encouraged them to make the improvement. Today, I am honored (or honoured)...
After Effects News September 2025
The current release of Adobe After Effects is September 2025 (25.5), which includes new features and workflow improvements. Previous...
Tool Tip Tuesday for Adobe Premiere Pro: Mass Select Timeline Labels
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition How aggressive are you about labels? I...
Adobe Premiere on iPhone: now available
Announced earlier this month (see Scott Simmons’ preview), Adobe Premiere on iPhone is now available. There are details available...
Axis Communications: making music with surveillance cameras
Axis is the company behind the world’s first musical performance played entirely on AI-powered video surveillance cameras and speakers...
ASC restores ASC Todd-AO lenses from the 1950s
Originally crafted for the revolutionary Todd-AO widescreen format of the 1950s, the ASC Todd-AO lenses will now be available...
macOS Tahoe kills FireWire permanently, unless you convince Apple to bring it back
Many of my past articles cover FireWire, aka IEEE 1394 and i.LINK for capture of legacy video formats in...
IBC Standouts: 6 Stand Out Products We Think You Should Know About
IBC 2025 was truly landmark year for innovation in film and video production, and we can say that definitely...
FireCut has arrived to DaVinci Resolve for AI acceleration
After being extremely popular to accelerate the audio/video editing process with Adobe Premiere via AI, FireCut is fortunately now...
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