REVIEW – MOCHA PRO 2019
How do you make “the best” even better. Now, I know that saying something is “the best” can be...
THE ARRI ALEXA LF and Leica M0.8 Prime lenses In Nashville
I like to see new cameras, but more importantly, I like getting my grubby hands on them to see...
Pictar Pro: camera grip for smartphones offers advanced video features
Less than two years after introducing the Pictar One, miggo is back on Kickstarter with a new product: the...
AAC test: Does your device play this file?
Apple has suggested we change from MP3 to AAC, but many people are afraid that AAC may not be...
How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
After Effects News 2018 September #3
Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and...
4 automatic audio mixers ≤US$1000 cure bleed/spill/crosstalk
Have you been disappointed when your audio quality drops exponentially as you add more microphones with a talk show,...
Tentacle Sync E: a small and simple pocket sized timecode generator
With a newly designed body that looks better than the previous model, the new Tentacle Sync E enables professional...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
