This week: ARRI at Koerner Camera in Seattle and Portland
Technical Sales Rep Chase Hagen and I will be showing off the Alexa Mini LF and ARRI Signature Primes...
Filmtools Event Recap: Workflow for Original Streaming Content
Thursday October 3rd, Filmtools Filmtools in Burbank hosted noted filmmaker Phil Holland for an afternoon of education. Billed as...
Cine Gear Atlanta 2019
In 2018, when the venerable Cine Gear show we all know and love in Los Angeles, decided to venture...
Introducing The ProVideo Coalition Podcast!
Welcome to the ProVideo Coalition Podcast! With so much news coming out every day it’s nearly impossible to keep up...
Working with Premiere Pro on Terminator: Dark Fate
In 1984, a young director stepped behind the camera to create an original sci-fi action movie about time-travel, cyborg...
After Effects Classic Course: Hot Looks from Floating Point
We’ve finished with posting movies on individual After Effects plug-ins from our Insight Into Effects course, and are turning...
Blackmagic Design’s UltraStudio 4K Mini I/O is Built for the Demands of Production and Post
I have been patiently waiting for an affordable Thunderbolt 3 device that could handle the wide range of needs...
The Supermeet returns to Boston this November
Remember the SuperMeet? Those great filmmaking events that were a stable of Tuesday night of NAB for many, many...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
The Review of The Blackmagic Design Pocket Cinema Camera 6K
6K in your hand. 6K on our gimbal. 6K. 6K. 6K. We love our “K’s.” The Blackmagic Pocket Cinema...
