Oculus Quill 2.0: an all-in-one tool for Virtual Reality animated stories
Born out of the creative needs of an Emmy-nominated VR film, the painting and animation tool Quill has reached...
Adobe Rush adds fast/slow motion with pitch compensation
Although it is not yet clear whether Adobe has fixed any the issues we previously exposed (link ahead), the...
The Art of the Cut Podcast Eps. 7 (w/ “The Peanut Butter Falcon” Editor Kevin Tent)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects Classic Course: Photo Filter
A couple of posts ago we were talking about using Colorama for tinting an image. If you are just...
The secret life of behind-the-lens nets
“What’s with the pattern in the headlights?” I asked the first camera assistant, as I looked through “B” camera...
New Sigma lenses for mirrorless cameras: the new world is the old world
Lenses for mirrorless are presented as able to offer better quality than DSLR lenses, due to the short flange...
Apple Pro Display XDR 6K: the questions I asked Apple
I first covered the Apple Pro Display 6K back in June (link ahead). In addition to its amazing performance...
After Effects selected as VFX category resource for Netflix Post Technology Program
Last October, the Netflix Post Technology Alliance was announced, bringing together some of the biggest technology names in film production...
2019: The year of affordable 3D
With the announcement of Maya Indie and the release of user-friendly Blender 2.8, the democratization of high-end 3D animation...
The Art of the Cut Podcast Eps. 6 (w/ “Once Upon A Time In… Hollywood” Editor Fred Raskin)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
