DJI RS 5 Review: Refining the Workhorse
Honestly, this might be the easiest review I’ve ever done. Is the DJI RS 5 good? Absolutely! So, what...
Tool Tip Tuesday for Adobe Premiere Pro: Show Duplicate Frames in Timeline
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition There’s a very useful timeline setting that will add...
Why you should care about keyframe graphs
Keyframe animation is an important topic for a video editor and animators alike. While not every editor needs to...
Why creatives are turning to AI to refine their work and meet rising expectations
Creative pros say that their use of AI tools is growing fast and that the new technology is not...
The Color Foundry Film Emulation System
Many editors, colorists, and videographers want to achieve the look of film using their favorite digital cameras. There are...
Sony Xperia 1 VIII drops telephoto zoom, keeps 3.5mm jack
The new telephoto camera in the Xperia 1 VIII is equipped with a 1/1.56-inch image sensor, approximately four times...
A Morning of Rs, Vs, 6s, and 7s
Exactly 24 days after NAB Show Vegas and 24 days ahead of Cine Gear 2026 in Los Angeles, both...
Canon EOS R6 V: built for video capture
Designed for handheld and gimbal shots, the EOS R6 V features robust in-body IS as well as a 7K...
Tool Tip Tuesday for Adobe Premiere Pro: Video and Audio Usage columns
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition Have you ever wanted to see if and/or where...
Set a dedicated Program monitor in DaVinci Resolve Studio without Blackmagic hardware + match the project framerate (even non-integer)
The first video editing device with electronic insert editing capabilities with analog video tape was released in 1963 with...
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