After Effects Portal May 2026
After a breakneck few months of big features, AI and freemium competition, news on Adobe After Effects has returned...
Hands-on with GoPro Lineup in the field (plus Mission 1 Pro)
There’s been a lot of updates and new product releases from GoPro that’ I’ve finally had an opportunity to...
ZEISS Panoptes 65 cinema lenses debut at Cine Gear Expo LA
Designed for the 65mm format, this comprehensive set of ten primes under the name Panoptes 65 represents the ZEISS...
Descript: Amazing improvements in transcription + Transcription Glossary in May 2026
I have been a very happy user of Descript since 2023 at least, although I have mainly used it...
Rethinking color correction in Final Cut Pro, with Kolor
The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as...
Tool Tip Tuesday for Adobe Premiere Pro: Perfect Sequence Templates (With Track Names That Actually Stick)
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition One of the signs of an experienced editor: specific...
The Five Things Everyone Needs to Know Adobe Color Mode in Premiere (beta)
If you’ve been editing in Premiere for a while, you’re used to treating color as a set of sliders,...
Laowa 4.5-10mm f/2.8 CF Zoom Fisheye: one lens, dual perspectives
Specifically engineered for APS-C and Micro Four Thirds (MFT) systems, this compact “muffin-lens” brings our most playful focal lengths...
ZEISS to unveil major advancement in lens technology
ZEISS to unveil major advancement in lens technology at Los Angeles Showroom, debuting what the company describes as “a...
XPPen launches console for professional editing workflows
Compatible with DaVinci Resolve, Premiere Pro, Photoshop, Lightroom Classic and Final Cut Pro, the XPPen Pilot Pro Editing Console...
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