Introducing the New 5/8″ Grip Rail from Matthews Studio Equipment
In the fast-paced world of production, efficiency isn’t just a luxury—it’s a requirement. Grips and cinematographers have long relied...
Digital Anarchy Transcriptive hits end of life
I saw a sad but not surprising email that came across today announcing that Digital Anarchy’s Transcriptive will hit...
WideluxX camera shop is now open, and preorders started
The WideluxX shop is now officially open and a first production run, limited to 350 cameras, is available for...
Tool Tip Tuesday for Adobe Premiere Pro: The Sequence Index
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition NAB happened, and it was amazing to be there...
NAB 2026: Avid Is Opening Up, and Gemini Might Help
For years, the conversation around Avid Media Composer has lived in a strange tension between reality and perception. On...
Leitz Cine introduces HEKTOR lenses for Fujifilm G mount
The ability to use the lenses with the Fujifilm G mount opens up new creative opportunities for users of...
BRAW in FCP and beyond, with BRAW Toolbox v3.0
BRAW is the best format that Blackmagic cameras can use — and it’s a good choice. Though many older...
Free After Effects, or freemium loss leaders
Despite Adobe going full bore on feature releases (especially in After Effects), its subscription model is still very unpopular...
2026 NAB Show: Fujifilm gets multiple NAB awards
The FUJIFILM GFX ETERNA 55 filmmaking camera got a Product of the Year award in the Camera category, while...
NETGEAR at NAB Show 2026 – The MSM4320 is a Network Switch Built for Production
The show floor at NAB Show 2026 was full of hardware designed to survive the rigors of live production,...
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