Amazon is featuring my audio/video multimedia book in independent author month
For Amazon, October is independent author month (#PoweredByIndie and #PublicaConKindle). I am honored that Amazon decided to feature one...
Facebook misrepresents & underestimates its own audio/video specs
As I have covered previously, YouTube and Vimeo used to misrepresent its own published specs, and then later corrected...
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
Amazon’s new Video Direct allows indie access to sell & rent content via Amazon Prime
Amazon has just launched its new Video Direct. This new access allows independent video producers to upload and earn...
Audiovisual451: International borders for digital media distribution are finally diminishing
It might surprise you to know that I still own and use a multi-region DVD player to be able...
NAB 2016: Google Play Music finally adds on-demand radio
After waiting many months after the initial announcement in October 2015, it is now clear that Google was waiting...
Understanding Adaptive Streaming with Ustream
As video editors in the modern age of the Internet we have to deal an awful lot with Internet...
Why the AMP Project improves our web content distribution
In case you are unfamiliar, the AMP Project (Accelerated Mobile Pages Project) is an open source initiative that came...
iTunes, SSL & HTTPS for SEO, and Let’s Encrypt
Shortly after Google’s decree of 2014, where the search giant declared that search results would now favor encrypted sites...
All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...