Media Composer 101 – Advanced – 4K Workflows Part 2: RED 4K Offline/Online in v8.3
In the second part of our look at 4K workflows inside of Media Composer Subscription, we take a look...
Motion Graphics for Business – Part 2: Beyond Hollywood
This is part 2 of a series that looks at trends in corporate motion graphics. Part 1 looked at...
A roundup of 70+ After Effects roundups
Here’s a roundup (ok, list) of AE Portal topic roundups on PVC. Many of them have been updated since...
Media Composer 101 – Advanced – 4K Workflows Part 1: HD Projects
In this first of a two part look at working in 4K in Media Composer, we look at the...
28 Days of Quicktips 2015 – #28daysofquicktips
Way, way back in the year 2009 when I started this channel on PVC I published the 28 Days...
Media Composer Quick Bite 1
Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling...
Premiere Pro News Notes #11
Here’s another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued...
AE + C4D: Some Minor Assembly Required
We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has...
Media Composer 101 – Advanced – Creating SD DVD’s from HD, 2K & 4K Projects part 3
In this week’s Media Composer 101 tutorial, I’m going to show you four different DVD burning applications, and how...
Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X
Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...
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