Art of the Cut with “Brooklyn” editor Jake Roberts
Today’s Art of the Cut interview is with editor Jake Roberts, who, along with director John Crowley, sculpted “Brooklyn”...
REVIEW – BCC 10 for AVX
BCC 10 is the biggest step forward for visual effects in your Media Composer NLE in the last 10...
3D superhero titles
Part 2 of Steve Martin’s excellent tutorial on creating beautiful 3D text in Final Cut Pro X. Miss part...
Exploring 4 ways to reach a 4K Finish
4K is as hot of a topic as it’s ever been, but the challenges that are inherent with this...
Details around the new monthly, quarterly and annual subscription options from Autodesk
Subscription models have changed the way users across the industry expect to access and utilize their software. Not too...
Final Cut Pro X to Logic Pro X
Many video editors turn to an audio professional to mix and sweeten their audio after picture lock. Or they...
After Effects Hidden Gems Weekly: Automatic Fades
As we’ve said many times, After Effects is not an NLE – but often, it’s easier to keep everything...
Defining and customizing your production-to-post workflow with Catalyst Prepare and Catalyst Edit
The way in which technology has and continues to change how film and TV professionals work is a topic...
Long Term Test continues: Dell Precision M3800 – software, OS (and Thunderbolt)
On the last installment of this Long Term Test of the Dell Precision M3800 we looked mainly at the...
Glitches, damage, flickers, & distortions in After Effects & Premiere Pro
Glitchify for After Effects + Glitchify sounds, from Mikey Borup and Cinema Spice, joins a growing number of tools...
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