Creating the sounds for The Revenant
In “The Revenant”, Oscar winning director Alejandro G. Inarritu tackles the tale of Hugh Glass, a trapper and a...
ART OF THE CUT with Stephen Mirrione, A.C.E. of “The Revenant”
Art of the Cut talks with Academy Award-winning editor, Stephen Mirrione, A.C.E. and his latest film, “The Revenant.”
Creating Compound Clip Handles in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a different and perhaps better way to...
Black & white movies are good (really)
Younger friends and family members routinely say they won’t watch black & white movies. Contrary to what they may...
Get Started Fast with Media Composer for High-Res Workflows—Part 3
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 2
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
The other DAM TV jingles like Mr. Cutting A Promo For A Lame Show Guy
As the year winds down I thought it would be fun to revisit some comedy bits that all editors...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
ART OF THE CUT with “Spotlight” editor Tom McArdle
Tom McArdle has 35 credits as an editor, including five films with director Tom McCarthy, the latest of which...
Latest
Post Production
Oppo Find X10 Pro Max: triple 200MP camera cluster and 8K video
Adobe Insights
Tool Tip Tuesday for Adobe Premiere: Show Through Edits
Post Production
