A Closer Look at the Thunderbolt3 Io 4K Plus from AJA
During my recent look at ProRes Raw here on PVC, I was also given a chance to take AJA’s...
ART OF THE CUT: Frédéric Thoraval on cutting “Peppermint”
Frédéric Thoraval has been editing features for the last 15 years, including Taken (2008), Sinister (2012), and The Gunman...
Compression: the editor’s secret weapon for taming audio
Far too many editors are afraid to touch audio tools like parametric EQ and compression. It’s unfortunate, since the...
After Effects + Creative Cloud 2019
At the IBC 2018 conference in Amsterdam, Adobe unveiled new video features for Creative Cloud to speed up production timelines,...
The Adobe Premiere Pro Fall 2018 update – better color and better audio are highlights
Are you wondering if Adobe is going to update the Creative Cloud video tools for IBC 2018? Well, wonder...
Close-Up, a film language glossary for iOS and Android smartphones
Ideal for film students or a seasoned director trying to refresh his or her memory, Close-Up has more than...
CoreMelt PaintX – a tracked painting must have tool for Final Cut Pro X
The big brains at CoreMelt recently released PaintX, another visual effects tool for Final Cut Pro X that uses...
After Effects News 2018 September #1
Here’s another round of news on Adobe After Effects! Yes, you can create 3D text inside After Effects, expand...
AE Project Diary: 7) Globe animation
It might not be obvious, but this simple globe animation was influenced by a Hollywood blockbuster. I’m happy to...
ART OF THE CUT with Melissa Lawson-Cheung and Colby Parker, Junior, ACE on editing “Mile 22”
Today’s Art of the Cut is with the editing team for Peter Berg’s thriller Mile 22. Art of the...
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