FiLMiC Pro framerates: VFR status & workflow reaffirmed at NAB 2019
At NAB 2019, I asked the lead programmers at FiLMiC Pro whether the VFR (variable frame rate) recording situation...
ART OF THE CUT WITH Martin Bernfeld, editor of “Hellboy”
Martin Bernfeld has been editing features for 15 years, including Project Almanac, Paranormal Activity: The Ghost Dimension, Power Rangers,...
NAB 2019: 8K
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology...
Random thoughts on NAB 2019, my saddest NAB ever
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
Testing out the Loupedeck+ Final Cut Pro X integration
I do realize I’m a bit behind in posting about the new Final Cut Pro X (and Adobe Audition)...
Acer ConceptD, a whole family of products designed for content creators
Two desktop computers, three laptops, two monitors and a Windows Mixed Reality headset make the Acer ConceptD brand, designed...
NAB 2019: Chatting with Adobe about their new releases
While Adobe took the days leading up to NAB 2019 to release updates to their video products I still...
Burning questions about the DaVinci Resolve Editor Keyboard
Let’s talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let’s be...
ART OF THE CUT with Oscar winner, Paul Hirsch, ACE
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars:...
