Hands-on with GoPro Lineup in the field (plus Mission 1 Pro)
There’s been a lot of updates and new product releases from GoPro that’ I’ve finally had an opportunity to...
Rethinking color correction in Final Cut Pro, with Kolor
The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as...
Tool Tip Tuesday for Adobe Premiere Pro: Perfect Sequence Templates (With Track Names That Actually Stick)
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition One of the signs of an experienced editor: specific...
The Five Things Everyone Needs to Know Adobe Color Mode in Premiere (beta)
If you’ve been editing in Premiere for a while, you’re used to treating color as a set of sliders,...
XPPen launches console for professional editing workflows
Compatible with DaVinci Resolve, Premiere Pro, Photoshop, Lightroom Classic and Final Cut Pro, the XPPen Pilot Pro Editing Console...
Tool Tip Tuesday for Adobe Premiere Pro: Show Duplicate Frames in Timeline
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition There’s a very useful timeline setting that will add...
Why you should care about keyframe graphs
Keyframe animation is an important topic for a video editor and animators alike. While not every editor needs to...
Why creatives are turning to AI to refine their work and meet rising expectations
Creative pros say that their use of AI tools is growing fast and that the new technology is not...
The Color Foundry Film Emulation System
Many editors, colorists, and videographers want to achieve the look of film using their favorite digital cameras. There are...
Tool Tip Tuesday for Adobe Premiere Pro: Video and Audio Usage columns
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition Have you ever wanted to see if and/or where...
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