Her Name Was Moviola – An interview with Walter Murch about film editing with the Moviola
Walter Murch is not one to sit around quietly in retirement. For the past year or more he’s been...
Scotty Makes Stuff Z-axis Stabilizers Hands-On
I’ve recently discovered these Scotty Makes Stuff Z-axis Stabilizers that help eliminate the 4th-axis “bounce” when walking with a...
Lighting the Extremes: What Kind of Opportunities Does Aputure Enable for Productions?
If I’m not working in the camera department or as a project manager/producer, I often get asked to work...
Exploring Colour Quality Systems in Production: Lamphouse efficiency, modifier efficiency and more
If we didn’t care about efficiency, tungsten lighting is the best technology ever developed. It has near perfect colour...
Solutions to Resolve Part 6: Clipped Exports – the YUV enigma
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to...
Canon EOS C70 brings a number of ‘firsts’ for the Cinema EOS System
The first to combine the image quality of Canon’s Cinema EOS System range with the portability and flexibility of...
Workflow From Home Web Series with Frame.io
I first learned about the Workflow from Home web series from Frame.io when Ep 5 – Conan O’Brien in...
Creating Remote Collaborative Music Video Productions
With our current distancing due to the COVID-19 pandemic, musicians are hit hard by not being able to perform...
ART OF THE SHOT: Paul Cameron, ASC on Westworld and the Craft of Cinematography
This is a continuation of a conversation with cinematographer Paul Cameron, ASC. Part 3 coming next week. And look for...
The DigitalGlue //ROGUE: The NAS you didn’t know you could afford
DigitalGlue’s //ROGUE unit is a robust, affordable 48TB NAS drive for video editors and digital creatives. But what makes...