A second use for Baselight for FCP could be as a learning too. There’s already a Mac laptop version of Baselight but that’s only for customers and is itself a learning tool for colorists moving to Baselight. Since Baselight for FCP will be the actual Baselight interface, once you’ve learned the knobs, dials and sliders in FCP they’ll be easily familiar in a full Baselight system since they are the same. And that interface in FCP means you won’t have to scroll a long menu of sliders to access all the grading parameters.

Finally, Baselight for FCP is a full color grading plug-in with control surface support for the Avid Artist Color and Control. While it probably won’t be marketed with the same zeal as Magic Bullet Colorista II it could easily be the color grading solution for those shops that want to stay in FCP. If you’ve got an edit full of mixed frames rates and resolutions then this might be just what the doctor ordered.

But Baselight isn’t just focusing only on FCP. The ultimate plan is to support different applications (I immediately think of Avid Media Composer but it probably won’t support that until MC can have custom interfaces in its effects) other than just NLEs. Imagine support in things like After Effects, Nuke or maybe even Smoke for Mac. If Baselight is installed on those apps then in theory your grading data could move from stage to stage to stage in the post-production pipeline without ever having to render the grades into the image. Since the grading data is there you’ll have the color corrected footage all along the process.

Now there are times when you’d probably want to bake those grades in but that locks the edit in place as you probably aren’t grading all the footage, just the selects from the edit with handles. If your grading data is sitting in the NLE then making changes should be simple as you’d only have to copy the grade to a new shot if there are changes. It’s an intriguing possibility.

It’s worth mentioning again that Baselight for FCP supports the Avid Artist Color control surface. AFAIK, as of this writing, I don’t think there’s any FCP color grading plug-ins that support a control surface. That’s a reason enough for considering it right there.

Now all this might change after Tuesday’s SuperMeet. In the meantime check out this little video of the new Baselight Blackboard 2 control surface. All of those keys are little video screens (actually they are lenses that look into a screen below) that can fluidly change their appearance and function depending on what you are doing. This is probably the coolest thing I’ve seen at NAB as of yet.

Support ProVideo Coalition
Shop with Filmtools Logo

What Do You Think? Let Us Know.

Notify of
Inline Feedbacks
View all comments

You Might Also Like