NAB Show
Peakto becomes a DAM with AI-powered video search
The team from CYME is currently in Las Vegas at NAB, presenting the latest update to their Mac-only asset...
Production
The “180° Shutter Angle Rule” is Broken
While I’ve had my reservations about the 180° shutter angle rule for some time, it was only during a...
Post Production
Final Cut Pro 11.1 released
Today, Final Cut Pro 11.1 was released, and as usual, it’s a free update. If you’re mid-project, either wait...
Production
A Chat with Immersive Company and The Spatialists
Recently, the app Prima Immersive launched, featuring the first episode in the Sessions series. If you missed my article,...
Post Production
Sharpness and Blur in Video
While you might have blurred out a background or sharpened a little to save a slightly misfocused shot, there’s...
Post Production
Immersive Company launches a new 180° 16K 3D camera, platform and app
Though the Blackmagic URSA Cine Immersive is expected soon, this week saw the surprise announcement of a second top-tier...
Pro Photo
Review: Lumix GH7
A filmmaker, videographer or content creator starting out today will not only have a tricky time picking what to...
Production
Review: Hohem iSteady M7 gimbal
In a market where small gimbals are more common than ever, while at the same time phones are getting...
Post Production
Live 3D Stereoscopic editing in Apple Vision Pro
Final Cut Pro 11’s Spatial Video support is good, but currently missing a key feature: the ability to preview...
Production
Review: the Canon RF-S 7.8mm Spatial Lens on the EOS R7
Video professionals looking to create 3D content for the Apple Vision Pro, for other VR devices, or for 3D-capable...
