Brian Hallett, is an award winning cameraman, editor, and producer. He has shot everything from Network broadcast news, promotional image campaigns, music videos, short films, and documentaries. Check out his reel at hallett-brian.com

Blackmagic Announces New Teranex Mini SDI to DisplayPort 8K HDR

Blackmagic Announces New Teranex Mini SDI to DisplayPort 8K HDR

Blackmagic Design announced the Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution with dual on-screen scope overlays, HDR, 33 point 3D LUTs and monitor…

Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses

Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses

Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The more clinically sharp digital cameras become the more cinematographers…

Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops

Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops

It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019. Not only did Zeiss show off their new large format Supreme…

Cine Gear: Zero Optik’s Rainbow Super Baltar Lens

Cine Gear: Zero Optik’s Rainbow Super Baltar Lens

On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not difficult to find vintage glass or the interesting lens flare which…

Cine Gear 2019: The Angenieux Optimo Prime Lenses

Cine Gear 2019: The Angenieux Optimo Prime Lenses

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in the world of cinematic professional options.  That signature Angenieux…

Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor

Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor

At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not your father’s medium format camera, no. The Fujifilm GFX100…

Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera

Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera

Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and performance of the 8K DXL into a smaller size…

Cine Gear: Panavision X Series Lenses. Made To Fly

Cine Gear: Panavision X Series Lenses. Made To Fly

Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned this is exactly how and why Panavision designed their…

Cine Gear: The Arri Alexa Mini LF and the Arri “Look”

Cine Gear: The Arri Alexa Mini LF and the Arri “Look”

The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted to look through  ARRI’S ALEXA Mini LF viewfinder to see…

Cine Gear: Fujinon Premista 28-100mm and 80-250mm Zoom Lenses

Cine Gear: Fujinon Premista 28-100mm and 80-250mm Zoom Lenses

At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in action but we also got to watch the first every…