Brian Hallett, is an award winning cameraman, editor, and producer. He has shot everything from Network broadcast news, promotional image campaigns, music videos, short films, and documentaries. Check out his reel at hallett-brian.com

Cine Gear: Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 MFT Lens

Cine Gear: Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 MFT Lens

At Cine Gear 2019 we got to opportunity to check out the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH Micro Four Thirds lens. With a f1…

Cine Gear 2019: Sony Xperia1, a wireless VENICE monitor?

Cine Gear 2019: Sony Xperia1, a wireless VENICE monitor?

The world’s first 4K OLED Phone… which can wirelessly monitor your Sony VENICE? The Xperia1 is more than a smartphone. This is a 21:9 CinemaWide display with…

Cine Gear 2019: Sony VENICE Firmware Updates with HFR and more

Cine Gear 2019: Sony VENICE Firmware Updates with HFR and more

We had a chance to talk to Sony about the new firmware 4.0 for the Sony VENICE. The big news? High Frame Rates up to 90fps at 6K 2…

Cine Gear 2019: Panavision Shows Off Entire Lens Line Up

Cine Gear 2019: Panavision Shows Off Entire Lens Line Up

According to Panavision, the PanaSpeed lens line-up is a large-format update of the classic Primo look. At T1.4, the PanaSpeed lenses will be the fastest large-format…

Cine Gear: Canon Shows Off Sumire Prime Lenses

Cine Gear: Canon Shows Off Sumire Prime Lenses

Sporting t-shirts showing the Cine Gear 2019 attendees how exactly to pronounce Sumire, Canon’s new PL Prime Lens line up, Canon also set up an example shoot…

Blackmagic Announces New Teranex Mini SDI to DisplayPort 8K HDR

Blackmagic Announces New Teranex Mini SDI to DisplayPort 8K HDR

Blackmagic Design announced the Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution with dual on-screen scope overlays, HDR, 33 point 3D LUTs and monitor…

Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses

Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses

Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The more clinically sharp digital cameras become the more cinematographers…

Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops

Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops

It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019. Not only did Zeiss show off their new large format Supreme…

Cine Gear: Zero Optik’s Rainbow Super Baltar Lens

Cine Gear: Zero Optik’s Rainbow Super Baltar Lens

On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not difficult to find vintage glass or the interesting lens flare which…

Cine Gear 2019: The Angenieux Optimo Prime Lenses

Cine Gear 2019: The Angenieux Optimo Prime Lenses

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in the world of cinematic professional options.  That signature Angenieux…