Production
Why “Full HD” is disparaging, misleading, and quite empty
The term “Full HD” obviously means “complete HD”, which is confusing, inappropriate, and damaging for the video production community...
Post Production
EditReady 1.2 now overshadows ClipWrap
Since 2011, I have appreciated how ClipWrap added proper support for malignant PsF within just days of my initial...
Post Production
Pro XAVC Long GOP compatibility bulletin 2015.1
I recently published an article about the breakthrough pro XAVC Long GOP códec/format from Sony, which is the third...
News
Understanding & using the breakthrough XAVC Long GOP códec/file format
Back in 2012, Sony deployed the first version of XAVC, one that can offer color depths of 8-bit,...
Post Production
48 reasons why GarageBand is kryptonite for video production
The market is full of capable digital audio editing applications. I am familiar with many of them and have...
Uncategorised
Sports Solutions white paper for NewTek LatAm/EMEA
After the great popularity of the NewTek New Scopes white paper I published for NewTek US, the Latin American...
News
In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800
Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s...
Post Production
Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X
Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...
Uncategorised
Allan Tépper to give 4 tech seminars in México City
From January 26–29, I’ll be giving four tech seminars in México City. Actually, three of the four will be...
Uncategorised
First look: Cinema FV–5 for Android, similar to FiLMiC Pro for iOS
I recently covered how proper digital USB audio is coming to Android (link ahead), which means that iOS devices...
