Production
Unleash Spreaker Studio’s hidden power
Spreaker Studio for desktop (Mac/Windows) packs a lot of power, allowing multiple local mic inputs, virtual carts, ducking and...
News
Enter the 48 kHz Alliance
Thanks to a recent —and extremely rare— inaccurate public statement by Rob Walch, I was catapulted into creating the...
Production
What’s missing from the new full-frame Panasonic Lumix cameras?
Many videographers are excited about the new full-frame Panasonic Lumix DC-S1 and DC-S1R cameras, without noticing a few key...
News
RØDECaster Pro to add multitrack via firmware update
In response to virtual rocks thrown by some content producers who demanded multitrack capabilities, this morning at NAMM (National...
Distribution
Google Podcasts fixed 99% of show notes formatting
Google Podcasts is a quasi-native app on all Android devices since version 4.1. The current Android version 9 with...
Production
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United...
Production
RØDECaster Pro: How to broadcast live without any computer
Updated article, January 13, 2019. After my second article about the RØDECaster Pro, a series of tweets initiated by Rob...
Production
RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process,...
Production
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps...
Production
Compare: Panasonic Lumix DMC-FZ2500 and JVC GY-HC500 1” type 4K cameras
I am intrigued to compare these two 1” type 4K cameras/camcorders. They share the same sensor size, same maximum...
