“Why don’t you get a right-hand car?” cinematographer Paul Reuter suggested to director James Rasin. The two had been talking about his friend’s inventive and very personal concept of shooting a journey from Manhattan in NY to the Pacific Ocean in L.A., no cuts. It would encapsulate the American dream, the free spirit of getting […]
Read More… from Using Schneider Custom 8” Long ND Grad on “Drive” – a 57-Hour Single Shot Film