Documentary Sound – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Review: Antlion Audio XLR Power Converter vs VXLR+
Antlion Audio recently introduced its new US$24.95 XLR Power Converter which now directly competes with RØDE’s US$25 VXLR+ which...
RØDE team members granted two US patents for firsts in microphone technology
Australian pro audio company RØDE Microphones announced that two of its team members have recently received US patents through...
BeyondPodcasting 2: Microphones—technologies, patterns and connection types
In BeyondPodcasting episode 2, Allan Tépper presents a bird’s eye view of microphone categories: technologies, patterns and connection types. Among the...
Monitoring challenges when using multiple digital USB mics simultaneously
Digital USB microphones have improved in quality and multiplied in availability on the market. This can simplify systems and...
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
How to pick a handheld digital mic for a smartphone/tablet
Frequent readers know I review lots of microphones and audio interfaces, among many other things. One of the fastest-growing...
Review: Sennheiser HandMic Digital with “secret” hardware limiter
The HandMic Digital from Sennheiser is the only dynamic mic I’ve encountered that ships with a Lightning cable, since...
Directly attach iRig Pre HD to an ENG omni dynamic mic
After my review of the Senal ENG-18RL omnidirectional dynamic microphone for ENG (electronic news gathering) in 2016, my friend...
Review: RØDE VXLR+ phantom power to plugin power converter
Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...
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