9 reasons why the RØDE SC6-L is radically different from the SC6
After publishing my first-look article called RØDE SC6-L: a game-changer for compact 2-track recording on iOS devices, I have...
Hybrid review: RØDE M5 microphone with a “foreign” accessory for voice/vocal
There are many reviews of the Australian RØDE M5 microphone, but all for instrumental or choral applications. That’s why...
Review: Antlion Audio XLR Power Converter vs VXLR+
Antlion Audio recently introduced its new US$24.95 XLR Power Converter which now directly competes with RØDE’s US$25 VXLR+ which...
Review: JK Audio BlueDriver-F3 wireless Bluetooth transceiver for ENG
At NAB 2018 in Las Vegas, I got my first real opportunity to test JK Audio’s BlueDriver-F3 wireless Bluetooth...
AirLinc for iOS goes multi-channel/multi-mic
Back in 2015, I reviewed AirLinc, an iOS app that converts your iOS devices (iPhone/iPad/iPod Touch) into a wireless...
Monitoring challenges when using multiple digital USB mics simultaneously
Digital USB microphones have improved in quality and multiplied in availability on the market. This can simplify systems and...
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Review: Sennheiser HandMic Digital with “secret” hardware limiter
The HandMic Digital from Sennheiser is the only dynamic mic I’ve encountered that ships with a Lightning cable, since...
Build your dynamic microphone modularly: Pyle PDMIC78 with Shure accessories
Some people call the Pyle PDMIC78 a knockoff of the Shure SM57. That description is true regarding the physical...
Review: iRig Mic HD 2 handheld digital microphone
Back in 2014, I reviewed the original <US$130 iRig Mic HD handheld digital microphone, which IK Multimedia released at...
